Vol. 47 No. 3 (2024): REVART - Specialized review of theory & critique of arts

Articles

• STYLISTICAL-INTERPRETIVE INTERFERENCES IN THE SONATA FOR FLUTE AND PIANO BY FRANCIS POULENC

  Georgiana Iudita Mircescu (Author)

  9-19

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• SONGS DEDICATED TO THE VIRGIN, COMPOSED ON THE OCCASION OF THE CENTENNIAL OF THE CONGREGATION OF THE SISTERS OF THE MOTHER OF THE LORD. CONTEXT. MESSAGE. FINALITY.

  Ioana Luminiţa Gorea (Author)

  20-26

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• ANALYTICAL ASPECTS REGARDING THE SPANISH FLOKLORE AND FLAMENCO ART IN MANUEL DE FALLA’S REPRESENTATIVE WORKS II

  Cornelia - Neli Dodan (Author)

  27-43

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• THE UNIVERSE OF VISUAL SUGGESTIONS IN INSTRUMENTAL THEATRE WORKS

  Ramona Preja, Anda Elisabeta Moldovan (Author)

  44-49

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• THE CHEMICAL COMPOSITION OF VIOLIN STRINGS

  Remus Antonio GASPAR (Author)

  50-56

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• CONTEMPORARY CURATORIAL PRACTICES THROUGH THE PRISM OF ART CONSERVATION

  Carmen Belean (Author)

  57-66

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• ENGRAVING, PRINTING, POLYCHROMY BETWEEN CREATIVITY AND INGENUITY

  Aura Evelina Radu (Author)

  67-72

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• BRIEF HISTORY OF THE CHURCH MUSIC DEPARTMENT FROM THE DIOCESAN THEOLOGICAL INSTITUTE OF CARANSEBEȘ

  Adrian Boba (Author)

  73-77

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• A FEW THOUGHTS ON THE AESTHETICS OF BYZANTINE MUSIC

  Ion Alexandru Ardereanu, Veronica Laura Demenescu (Author)

  78-82

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• A NEW METHOD OF TEACHING BYZANTINE MUSIC

  Ion Alexandru Ardereanu (Author)

  83-91

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