Vol. 21 No. 3 (2014): REVART - Specialized review of theory & critique of arts

Articles

• SACRED ART - MODERN ART. CROSSWISE OPINIONS

  Dacian Andoni (Author)

  4-7

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• OPINION ON ROMANIAN ART FROM SACRED PERSPECTIVE

  Dacian Andoni (Author)

  8-12

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• OPERA DE ARTĂ ÎNTRE NEGAŢIE ŞI AFIRMAŢIE

  Ioana Antoniu (Author)

  13-24

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• DESPRE INUTILITATEA SUBLIMĂ A FIGURATIVULUI

  Ioana Antoniu (Author)

  25-35

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• THE TERNARY: PHOTOGRAPHIC IMAGE – TEMPORALITY – BECOMING

  Adrian Vasile Chira (Author)

  36-49

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• BAZELE FOTOGRAFIEI

  Irina Dumitraşcu Măgurean (Author)

  50-53

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• FOTOGRAFIA DIRECTĂ ȘI FOTOGRAFIA MODELATĂ, INSTANŢE ALE FOTOGRAFIEI ALB-NEGRU

  Károly FELEKI (Author)

  54-60

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• THE DIFFERENCE THAT FORMS THE ASSEMBLY. THE CROSSING BETWEEN ART AND ARCHITECTURE. CASE REPORT, COLONIA PICTORILOR (PAINTERS’ COLONY), BAIA MARE

  Laura Teodora GHINEA (Author)

  61-65

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• ACCEPTIONS OF THE CONCEPT OF LANDSCAPE IN CONTEMPORARY ART

  Maria Mihaela Gorcea (Author)

  66-74

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• RELATIONAL AESTHETICS IN THE ROMANIAN ART AFTER 1990

  Maria Orosan-Telea (Author)

  75-82

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• DESPRE ARTĂ CA CERCETARE

  Radu Pulbere (Author)

  83-89

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• MAGIC TRADITION BETWEEN INVENTION AND IMITATION

  Eugen Savinescu (Author)

  90-95

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• THE MEMORY, A FILM EMBEDDED IN THE SUBCONSCIOUS

  Radu Şerban (Author)

  96-101

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• TRADITION AND INNOVATIVE EXPERIMENT IN VISUAL ARTS

  Radu Şerban (Author)

  102-108

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• CONCERTO FOR STRING ORCHESTRA BY REMUS GEORGESCU Retrospective on critics

  Veronica Laura Demenescu (Author)

  109-112

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• UNDERSTANDING MUSICIAN’S FOCAL DYSTONIA

  Stela DRAGULIN (Author)

  113-121

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• UNIFORMIZAREA ŞI TRANSCRIEREA CÂNTĂRILOR PSALTICE PRIN UTILIZAREA NOTAŢIILOR PSALTICĂ ŞI GUIDONICĂ (I)

  Antoniu Zamfir (Author)

  122-127

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• ASPECTE ALE MUZICII BISERICEȘTI

  Antoniu Zamfir (Author)

  128-132

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• THE TIMIŞOARA BAROQUE FESTIVAL 3rd edition, October 13-19, 2014

  Veronica Laura Demenescu (Author)

  133-134

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• 2014 EDITORIAL ACTIVITY OF NATIONAL UNIVERSITY OF MUSIC PUBLISHING HOUSE

  Luminiţa Ciobanu (Author)

  135-137

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