Vol. 42 No. 1 (2023): REVART - Specialized review of theory & critique of arts

Articles

• INTERFACES OF MODERNITY: THE BOATS OF PAUL KLEE AND THE CONCERTO OP. 24 BY ANTON WEBERN

  Ovidiu-Vasile Iloc (Author)

  7-22

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• INSIGHT INTO THE UNRENOWNED MUSIC OF PAVEL HAAS: STYLISTIC LINES

  Victor - Andrei Părău (Author)

  23-33

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• MUSICAL AUDITION AS INSTRUMENT IN REDUCING STRESS

  Anca Spătar, Mara SPĂTAR (Author)

  34-43

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• THE APPLICATION OF THE INTERPRETATIVE ART IN THE SETTING OF PSYCHOANALYSIS RESEARCH

  Ariadna Zenaida Mircescu (Author)

  44-51

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• EVOLUTION OF SCENIC DANCE: HISTORICAL CONTEXT

  Snejana Apostol (Author)

  52-61

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• NORMA AND ABIGAILLE, PEAKS OF VIRTUOSITY IN THE LYRICAL REPERTOIRE

  Sorina Munteanu (Author)

  62-67

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• VOCAL AND CHARACTEROLOGICAL ASPECTS IN DONIZETTI′S QUEENS TRILOGY

  Elena MOSUC - HEBEISEN (Author)

  68-83

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• METHODOLOGICAL PROJECTIONS - SONATA FOR FLUTE AND PIANO BY SIGISMUND TODUȚĂ

  Ariadna Zenaida Mircescu (Author)

  84-90

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• SONATINA – PERSPECTIVE ASUPRA GENULUI

  Petruţa Maria Coroiu (Author)

  91-96

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• THE EVOLUTION OF THE OLTENIA LANDS ON HISTORICALLY, GEOGRAPHICALLY AND CULTURALLY DISTINCT AREAS

  Gabriel Zamfir (Author)

  97-114

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• COMPOSITIONAL TECHNIQUES IN ENIGMA VARIATIONS OP. 36 BY EDWARD ELGAR

  Ioana Baalbaki (Author)

  115-129

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• MEMORIES ABOUT THE PAINTER IOAN ISAC. INTERVIEW WITH THE ARTIST SILVIU ORAVITZAN

  Mihaiela Andoni (Author)

  130-136

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