Vol. 16 No. 2 (2012): REVART - Specialized review of theory & critique of arts

Articles

• AUREL STROE – ORIGINALITY AND VANGUARD

  Petruţa-Maria Măniuţ (Author)

  62-67

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• CAROLING: THE GROUP OF BOYS – ROLE AND MEANING

  Eugen Petre SANDU (Author)

  68-76

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• AN ANALYTICAL COMPARISON BETWEEN PUCCINI’S TURANDOT - ACT II AND BUSONI’S TURANDOT - ACT I - SCENE 2

  Mihaela Buhaiciuc (Author)

  13-28

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• MASTER ARTIST, ŞTEFAN GHEORGHIU, OR THE GUIDING EXPERIENCE ENTIRELY TRANSMITTED AND MULTIPLIED THROUGH GENERATIONS OF DISCIPLES

  Luminiţa Burcă (Author)

  29-40

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• AIR, A PHYSICAL MATTER* WITHIN THE CONTEMPORARY ARTIST’S REACH

  Marcel Bunea (Author)

  89-95

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• TECHNIQUE AND THEORY UPON COMPOSITION VERSUS COMPOSITIONAL WORK AS RESULT OF RECEPTION (II)

  Laurenţiu Beldean (Author)

  41-54

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• THE GATES OF PSYCHIC – VISUAL DISPLAY

  Camil Mihăescu (Author)

  96-100

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• THE ERGONOMICS OF SYMBOLS. ART META-LANGUAGES BETWEEN HARMONY AND DISHARMONY

  Gabriel Kelemen (Author)

  101-104

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• TWO SONATAS – A SHARED SONOROUS UNIVERSE: THE IIIRD SONATA OP. 25 BY G. ENESCU AND THE SONATA IN ROMANIAN RHAPSODYC STYLE BY T. CIORTEA. TONAL-MODAL A

  Petre Marcel Vârlan (Author)

  55-61

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• INNOVATION APPROACHES

  Ancuţa Sandu (Author)

  77-88

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• A STUDY ABOUT THE PERFORMING ARTS DETERMINATIONS

  Alexandru Boureanu (Author)

  105-111

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• IN VIEW OF A MODERN APPROACH TO THE CONCEPT OF PIANO TECHNIQUE

  Stela Doina Drăgulin (Author)

  5-12

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