Vol. 33 No. 2 (2019): REVART - Specialized review of theory & critique of arts

Articles

• STYLISTIC COORDINATES OF BEETHOVEN’S LANGUAGE

  Mihaela Itigan, Stela Doina Drăgulin (Author)

  7-18

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• FEATURES OF THE COMPOSITIONAL LANGUAGE IN HENRYK GÓRECKI’S MISERERE

  Alexandra Belibou, Petruţa Maria Coroiu (Author)

  19-27

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• INTRODUCTION TO AESTHETIC STUDY OF BYZANTINE MUSIC. SOME BIBLIOGRAPHY REFERENCES

  Ion Alexandru Ardereanu (Author)

  28-34

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• ORTHODOX CHURCH MUSIC FROM BANAT: AN EXAMPLE OF BALKANIC CULTURAL OSMOSIS

  Veronica Laura Demenescu, Ion Alexandru Ardereanu, Adrian Boba (Author)

  35-45

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• BRIEF VIEW ON THE ROUTE OF ROMANIAN MUSIC FROM THE BEGINNING OF THE TWENTIETH CENTURY - music dedicated to children's choir - part II

  Nicolaescu Ingrid (Author)

  46-65

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• STYLISTIC AND INTERPRETATIVE VOICE REFERENCES IN THE WORK OF W. A. MOZART

  Edith Georgiana Adetu (Author)

  66-75

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• CONSIDERATIONS ON ASPECTS ABOUT TECHNICAL PERFORMING OF THE ROLE OF ABIGAIL IN THE OPERA NABUCCO BY G. VERDI

  Sorina Munteanu (Author)

  76-79

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• VIER LETZTE LIEDER OF RICHARD STRAUSS 11.06.1864 – †08.09.1949 (70 YEARS FROM DEATH)

  Sorina Munteanu (Author)

  80-83

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• THE TRANSFORMATIONS OF THE INSTRUMENTAL DOINA “DRAGOSTEA CA PE TESLUI” IN THE LAST 80 YEARS Part II – Analysis of the song “Dragostea ca pe Teslui” – violinist Gică Chirea’s version

  Marius Ionut Stanciu (Author)

  84-100

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• MUSICAL CREATION BETWEEN ARCHETYPE, TRADITION AND CONTEMPORANEITY MAIN STRATEGIES IN COMPOSITION TOWARDS ARCHETYPAL TRANS-REALISM - Part 1 -

  Vosganian Mihaela (Author)

  101-121

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• CONCEPTUAL ART OR THE LATEST AVANGUARD OF THE TWENTIETH CENTURY

  Liviu Nedelcu (Author)

  122-131

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• CHISELING THE IMAGE / WORK DETERMINED BY SOCIAL REQUIREMENTS Militant art and the propagation of the message in several historical contexts

  Răzvan Constantin Caratănase, Răzvan Dragoș (Author)

  132-136

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