GILLES APAP AND ENTERTAINMENT INCLUDED IN ACADEMIC MUSIC

Abstract

The social factor has always been attributed to entertainment music because from ancient times there has been the need for music to address a recipient not necessarily educated, but willing to find himself in the artistic act and to search for a direct way, open, convincing significant , which includes opportunistic ways, appropriate to the times, of transmitting feelings. In the 21st Century the borders are no longer found especially in the examples I suggest: Cadence interpretation of Concert nr. 3 for orchestra and violin by Wolfgang Amadeus Mozart interpreted by violinist Gilles Apap.