ARGUMENT

Abstract

Scientific argumentation of the permanent reversion into the synthesizing tendency, to purification and simplification of the plastic – sculptural form, along the history of the art. The privilege of the form to periodically gain its freedom by the creative imagination of the artist, by the need to give always a new plastic sense to the “line of the absolute return”, either on own account, or in the name of a new aesthetics, crossing over parallel worlds in the eagerness to become elementary and simple.