PSYCHOANALYSIS, THE IMPORTANT COMPONENT OF MUSIC AESTHETICS

Abstract

At the end of the 19th century, when both philosophers and artists began to be concerned about studying feelings, people's states of mind, exposing them in their own works, a new science emerged, called Psychoanalysis. If, in the field of philosophy and psychology, the road opener in the elaboration of the theories on the study of psychoanalysis was S. Freud, regarding the art of music, the feelings and mankind moods have already been presented in Baroque and Classicism, by innovators of new genres and musical concepts such as Vivaldi, Porpora, Haendel, J. S. Bach, Gluck, Haydn. These themes will be fructified and amplified in the stylistic and aesthetic eras that will follow: Romanticism, Postromanticism, Impressionism, Symbolism, Expressionism, 20th Century Music, along with the evolution of music, musical language, through the vast creation of famous composers such as Donizetti, R. Strauss, M. P. Musorgsky, Brahms, Mahler, Ceaikovski, Skriabin, Debussy, Ravel, Schonberg, Berg, Webern, Bartok. The relationship between the art of music and psychoanalysis as a science is based on several elements of real importance. The most eloquent ties are the means of artistic expression of music, more precisely its components and rhetorical formations).