COLOR AND SYMBOLISM IN THE ROMANIAN SYMPHONIC FILM MUSIC OF THE 20TH CENTURY

Abstract

The ability of Romanian composers to adapt to the script was reflected both in the soundtracks of war films where the entire production effort was huge and for psychological dramas too where it captures the essential through a small number of musical moments, understanding and reflecting in the same time the depths of the specific psychological typologies of soul. Symphonic music added first of all an aesthetic value to the film, the fulfillment of the symbolic significance working together with the image increased the global aesthetic value. One technique often used in movies is to use the symphony orchestra to its full potential. In historical films, for example, fighting movement is suggested by the value of constantly repeated short notes, by imprecise pitch, or by emphasizing suspense by percussion instruments.